Every DOT .com that has been ever typed has added to this massive ritual, on a scale that few can comprehend. It appears to be my destiny to solve this, and to avert it if possible.
Directing you to the Super Nintendo game from 1994, Illusion of Gaia (Illusion of Time), deals directly with this comet, which is an ancient weapon utilized to mutate all creatures.
Directing you to the Super Nintendo game from 1994, Illusion of Gaia (Illusion of Time), deals directly with this comet, which is an ancient weapon utilized to mutate all creatures.
 |
| It turns out that the approaching comet grants humanity amazing power, causing them to be driven mad and change into demons |
There was a civilization so ancient that none of it is around today. There is no proof that it ever existed. The people here were so technologically and intellectually advanced that they knew how to develop plants and animals. They used advances in biology and genetics, and were able to make life a lot better on Earth. Other people, though, realized this could be used for evil. They developed terrible demons and violent beasts. The monsters ravaged the civilization. The Knights of Light and Darkness battled them, Freedan and Shadow.
COMET ISON = 113 = MUTATION
The biggest weapon of this war was an insidious comet that would evolve anyone into hideous, mindless monsters. It destroyed the last remnants of the nameless civilization. Other civilizations started to rise and flourish, including the Egyptians, Babylonians, and the Incas.
It is later revealed that the comet is in fact an ancient weapon used during the last Blazer War, and has the power to change the shape of the world. In the ruin of Angkor Wat, it is discovered that when the comet's repeated approach and effect on the Earth has prevented the world and mankind from evolving into a more modern state.
The comet returned every eight centuries, leaving every civilization
crumbled in its wake. Civilizations would often hint at the comet and give
insight into it, but over time and having been passed down between generations,
the clues would turn to the same dust as their respective source, until only a
few treasures remained in the most hidden parts of the most hidden places of the
world.
The hero of the game is Will. My middle name is William. So there you have it. I "Will" do everything to stop this. Although I am not sure how yet. I know these articles are helping to some degree.
Will and his friends face many enemies in their journey to uncover the secret of the Tower of Babel, both those who protect the clues to the mystery and those who seek its power for themselves. A number of powerful demons guard the priceless treasures of lost civilizations, while the human but power-mad King Edward and Queen Edwina contract Jackal, an assassin, to tail Will and Kara through their journeys. Neil's parents are the driving force behind the Rolek company, which is also the driving force behind the world's slave trade. It is later revealed that they are replaced by members of the Moon Tribe. The Tribe themselves are encountered numerous times throughout the journey, being living shadows that lost their corporeal forms after being subject to the comet's light.
I showed just recently in my article Ritualistic Media and Film (Part 3) just how connected the Jackal is in this insane script we seem to be trapped in.
http://radicalminds2020.blogspot.ca/2013/12/ritualistic-film-media-part-3.html
Even the whole theme of a real Gaia and a false one is explored in Total Recall, which involved me remembering myself as King Tut possibly .... something I am still working on ....
Attacking the comet directly, which soon manifests itself as Dark Gaia, Will and Kara manage to destroy its power, returning the world to normal.
King Tut seems integral in this saga seeing as he himself understood what I do concerning the comet acting as a mutagen. This is echoed in the Japanese anime Dragonball Z, which the creation of an artificial light source that aids in the transformation of man into beast like creatures.
The hero of the game is Will. My middle name is William. So there you have it. I "Will" do everything to stop this. Although I am not sure how yet. I know these articles are helping to some degree.
Will and his friends face many enemies in their journey to uncover the secret of the Tower of Babel, both those who protect the clues to the mystery and those who seek its power for themselves. A number of powerful demons guard the priceless treasures of lost civilizations, while the human but power-mad King Edward and Queen Edwina contract Jackal, an assassin, to tail Will and Kara through their journeys. Neil's parents are the driving force behind the Rolek company, which is also the driving force behind the world's slave trade. It is later revealed that they are replaced by members of the Moon Tribe. The Tribe themselves are encountered numerous times throughout the journey, being living shadows that lost their corporeal forms after being subject to the comet's light.
I showed just recently in my article Ritualistic Media and Film (Part 3) just how connected the Jackal is in this insane script we seem to be trapped in.
http://radicalminds2020.blogspot.ca/2013/12/ritualistic-film-media-part-3.html
Even the whole theme of a real Gaia and a false one is explored in Total Recall, which involved me remembering myself as King Tut possibly .... something I am still working on ....
Attacking the comet directly, which soon manifests itself as Dark Gaia, Will and Kara manage to destroy its power, returning the world to normal.
King Tut seems integral in this saga seeing as he himself understood what I do concerning the comet acting as a mutagen. This is echoed in the Japanese anime Dragonball Z, which the creation of an artificial light source that aids in the transformation of man into beast like creatures.
Observing the details of this episode, we see the sky is a purple colour, imitating the $50 bill as well as a light in the sky, which is not the moon, because the moon was destroyed long ago by people who foresaw this exact scenario happening.
https://www.youtube.com/watch?v=rj_gZd5-i7I
 |
| Exact same colour scheme |
Since ancient times comets have been divine stars, but they have also been
called demonic stars. The one now nearing the Earth is a demonic star… It possesses
an advanced consciousness, and comes to bend Earth’s evolution to it’s own will…
Mortal Kombat II deals directly with this theme as well, the opening of portals to other dimensions, and in doing so, creates an energy that causes the sky to turn purple. The creature Sheeva from Mortal Kombat has the exact same hands as the creature from Splice.
Quote:
Dancing man 1: This is one of the human pleasures, known as ‘dancing’.
Dancing woman 1: I want to feel close to human emotion, but despite dancing
like this every day, I feel nothing…
Dancing man 2: The pictures on the wall were painted by the artist, Ishtar.
However, those who model for his paintings go missing afterward…
Dancing woman 2: We are expressionless, but Ishtar depicted us with faces
overflowing with human kindness. After that, countless people wanted to be
painted, even though they didn’t know what would become of them.
And i just recently showed Ishtar to be in fact the leader of Hellenic Group. How deep this all runs has already been shown to an extent concerning the Hellfire club utilizing human sexual energies to prolong their own deaths.
It was the human in Splice that taught the creature how to dance. The interesting thing to note was the gender change, how the female transformed into a male, while also sprouting wings.
SHEEVA ~ SHE HE VA
(Vagina)
 |
| Sheeva from Mortal Kombat |
There are a number of these entities on youtube, seeing as it somehow hooks into the lunar AI, and then manipulates the software (language) and numbers. It could explain why
COMET ISON = 377 = MACHINE LANGUAGE
It would seem apparent that history is being guided by a hidden "hand" if one could call it that at this point, and to the detriment of all life on this planet. If indeed we are in a time loop, the creatures which were created in the future must ensure their creation in this timeline. Hence the whole theme in Illusion of Gaia, that if Dark Gaia is destroyed, the comet will not exist.
In the curse of King tuts tomb we deal with the emerald tablets an the hellfire club. The emerald power of will is utilized by these factions to manifest their dark designs.
COMET ISON = 113 = HELLFIRE CLUB
The Hellfire connection identifies this as the agenda to a large degree. Understand of which is that these creatures could be from the future, the descendants of which returned to the past in order to survive. It is a story of time loop's, time travel and creating monsters.
There is a discussion concerning a broach that encodes the ET gods conversing with Tuts mother and himself, which appears inside a lunar sphere. This was altered by the powers in charge to suppress knowledge and understanding of what is actually transpiring concerning this "comet" which indeed is a weapon utilized in the mutating of creatures.
 |
| The Moon controls the eye of ra, our brain. This is the message. So if THOTH is in the moon, then the brains thoughts are controlled by lunar interference. |
Even the character in the game Illusion of Gaia is named Seth.
Seth: I was swallowed by the leviathan… When I regained consciousness, my body
had changed into a leviathan. These leviathan creatures may be humans that live
in the ocean. I heard from my fellow leviathans that the light of a comet is
altering the evolution of living things.
had changed into a leviathan. These leviathan creatures may be humans that live
in the ocean. I heard from my fellow leviathans that the light of a comet is
altering the evolution of living things.
It is set that Tut battles in the film ...
These creatures are very real. There are some that can take human form as showed in Blade Trinity with Dracula. The creature itself appears to resemble the creature Kevin McCormick Sr uploaded onto his youtube account.
And set being what appears to be a family member of the Spliced creature from Splice. Either way, these creatures are real and need to go.
Since it is all about Emerald tech and myself, it would be important to show Ryan Reynolds roles in the 2 films. I already showed in ritualistic media part 3 that Jessica Biel appears to be role playing a woman in my past, but I cannot remember, Total Recall style.
Indeed whoever I am, I have a job to do.
Now the king tut film here has the same girl from Blade II the vampire princess whichs connects us back to Mortal Kombat and the dimensional portals being opened by these creatures that were created in Splice.
IT IS ALL ABOUT MONSTERS COMING INTO THIS DIMENSION.
IT IS ALL ABOUT MONSTERS COMING INTO THIS DIMENSION.
AND THE LUNAR MANIPULATION CONTROLLING OUR BRAINS!
 |
| Kitana has a cloned sister named Mileena, which is the same name of Kate Beckingsale's character in Total Recall. Let's not forget the 3 breasted Hecate in that film. |
The very idea of her being the vampire princess in Blade II, and her connection to King Tut speaks volumes. She even has a likeness to Jessica Biel as well. But that itself could all be in my head right.
Blade Trinity explains how an entity was found in a Zigguratt after the Iraq invasion of 2003. Of course Ryan Reynolds so brilliantly states at the beginning of the film that "We all know the movies are full of shit" while also showing Dracula in a comic; a little tip off to my future article series perhaps.
These white skinned entities, or Carpathians are blood drinkers. Indeed while looking into a novel series concerning it, we find again the Comet Ison script, indicating this event has happened before, that history is cyclical. Which is obvious.
Carpathians are a fictional race of people from the Carpathian Mountain region, in the fictional universe of the Dark Series, a group of books by Christine Feehan. Carpathians survive by drinking the blood of humans, but unlike vampires, they do not kill their human prey. Carpathians use their telepathic abilities to “call” humans to them in order to feed, and then use those same abilities to erase the humans’ memory of the incident. All vampires were once Carpathians. A Carpathian male "turns" into a vampire when he kills while feeding, loses his lifemate, or fails to find his lifemate.
Just like the familiars in Blade. Dracula goes by the name Dagon as well as Drake. The film also mentions the Emerald City. And the nome king which, I will have to familiarize myself with more, but those already in the know can see it's connection.
A female Carpathian is tall and slender, voluptuous and seductive, though unaware of it. Natural-born Carpathian females usually have beautiful pale skin and long black hair. Humans made into Carpathians will remain looking the way they are, but more alluring. Humans who are not Carpathian usually get turned via a process of blood exchanges. Three exchanges must be made in order for humans to become Carpathian, but the human must have psychic abilities beforehand.
http://en.wikipedia.org/wiki/Carpathians_(race)
From Illusion of Gaia;
KARA: There was talk that the vampire woman had come… They say that
her body is eternal… They say once the comet is gone, she’ll be able
to rest in peace.
It does come back to these creatures that were created, either in this time period or rather, sent through a time portal to a previous era, in wichh the history has become meshed with past, present and future. What happened in the past is being started in the present. The gematira pinpoints this as a theme.
COMET ISON = 377 = TIME DILATION
To quote my spirit brother
""XXX" The number of moon god in ancient Mesopotamia!
Now is the symbol of the devil 666 which reveals also who devil really is and also XXX in ancient Mesopotamia represented the number 30=3+0=3 which is the number of Jesus and symbolizes his/her Hecate trinity"
Dunno how I came across this, but decoding it revealed more of the same themes. It is Egyptian-Atlantean with a Greek-Sanskrit history. What is Egyptian also goes into Hinduism and the past ages when Shiva worship spread across the planet.
http://en.wikipedia.org/wiki/Emerald_City_Confidential
Emerald City Confidential is a 2009 computer adventure game conceived by Dave Gilbert, developed by Wadjet Eye Games and published through PlayFirst. It follows the protagonist Petra, Emerald City's only private eye, as she is approached by a strange woman named Dee Gale. Dee's fiancé is missing, and she is willing to pay Petra above the going rate in order to find him. Lacking any other prospects, Petra agrees. What starts off as a simple missing person case soon takes Petra deep into the seedy underbelly of the Emerald City's criminal underground and beyond. She encounters many characters from the Oz canon and some new characters, learns several magic spells, and uncovers the answer to a dark secret that has haunted Petra all her life.
PETRA = MEDUSA TURNING YOU TO STONE
Petra – the protagonist of the story. She quit her job as a Palace Guard during a time of war, to look for her missing little brother, William, when no one else would help, and becomes a detective in the hope of finding a lead to discover the child's fate.
Interesting.
Besides being completely about these emerald tablets and the emerald will power energy, There is a huge Egyptian connection to all of these rituals and movies. Identifying it will to an extent mess up their rituals being used against us.
Wadjet (/ˈwɑːdˌdʒɛt/ or /ˈwædˌdʒɛt/; Egyptian wꜣḏyt, "green one"),[1] known to the Greek world as Uto /ˈjuːtoʊ/ or Buto /ˈbjuːtoʊ/ among other names, was originally the ancient local goddess of the city of Dep (Buto),[2] which became part of the city that the Egyptians named Per-Wadjet, House of Wadjet, and the Greeks called Buto (Desouk now),[3] a city that was an important site in the Predynastic era of Ancient Egypt and the cultural developments of the Paleolithic. She was said to be the patron and protector of Lower Egypt and upon unification with Upper Egypt, the joint protector and patron of all of Egypt with the "goddess" of Upper Egypt. The image of Wadjet with the sun disk is called the uraeus, and it was the emblem on the crown of the rulers of Lower Egypt. She was also the protector of kings and of women in childbirth.
http://en.wikipedia.org/wiki/Wadjet
THE SIGNIFICANCE OF DEP IS THE FACT JOHNNY DEP PLAYS THE JUDGE MEDUSA IN PIRATES 4, AND THIS IS THE EXACT JUDGEMENT YOU GET FROM THE SNAKES CATS AND DOGS, FALSE JUDGEMENT!!!!!
As the patron goddess, she was associated with the land and depicted as a snake-headed woman or a snake—usually an Egyptian cobra, a venomous snake common to the region; sometimes she was depicted as a woman with two snake heads and, at other times, a snake with a woman's head. Her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the oracular tradition that spread to Greece from Egypt.
The Going Forth of Wadjet was celebrated on December 25 with chants and songs. An annual festival held in the city celebrated Wadjet on April 21. Other important dates for special worship of her were June 21, the Summer Solstice, and March 14. She also was assigned the fifth hour of the fifth day of the moon.
A DATE TO WATCH OUT FOR!!
Wadjet was closely associated in the Egyptian pantheon with Bast, the fierce goddess depicted as a lioness warrior and protector, as the sun goddess whose eye later became the eye of Horus, the eye of Ra, and as the Lady of Flame. The hieroglyph for her eye is shown below; sometimes two are shown in the sky of religious images. Per-Wadjet also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh. Much later, Wadjet became associated with Isis as well as with many other deities.
This whole cat feline theme is very deep and extends to another woman as well, who the cults perceive as Sekmet. The name also encodes the software pinpointing this theme as well.
SEKMET ~ COMET
http://en.wikipedia.org/wiki/Sekhmet
Sekhmet also is a Solar deity, sometimes called the daughter of the sun god Ra and often associated with the goddesses Hathor and Bast. She bears the Solar disk and the uraeus which associates her with Wadjet and royalty. With these associations she can be construed as being a divine arbiter of the goddess Ma'at (Justice, or Order) in the Judgment Hall of Osiris, associating her with the Wedjat (later the Eye of Ra), and connecting her with Tefnut as well.
Sekhmet's name comes from the Ancient Egyptian word "sekhem" which means "power". Sekhmet's name suits her function and means "the (one who is) powerful". She also was given titles such as the "(One) Before Whom Evil Trembles", "Mistress of Dread", "Lady of Slaughter" and "She Who Mauls".
Jodi Smith spoke to me about the creation of moulds of her sexual areas, confirming that these cults are engaging in abusing her. I only speak of this to help her and to expose those who would engage in harming someone.
From my understanding these rituals are conducted to charge the matrix, against the will of the theomorhpic souls trapped inside the body brain prison. As I showed above,
THE MOON CONTROLS THE EYE OF RA!
In order to placate Sekhmet's wrath, her priestesses performed a ritual before a different statue of the goddess on each day of the year. This practice resulted in many images of the goddess being preserved. Most of her statuettes were rigidly crafted and do not exhibit any expression of movements or dynamism; this design was made to make them last a long time rather than to express any form of functions or actions she is associated with. It is estimated that more than seven hundred statues of Sekhmet once stood in one funerary temple alone, that of Amenhotep III, on the west bank of the Nile.
In 2006, Betsy Bryan, an archaeologist with Johns Hopkins University excavating at the temple of Mut presented her findings about the festival that included illustrations of the priestesses being served to excess and its adverse effects being ministered to by temple attendants.[2] Participation in the festival was great, including the priestesses and the population. Historical records of tens of thousands attending the festival exist.
THIS RITUAL WAS DONE TO JODI IN THE NEW ORLEANS SUPERDOME!!
http://deephighlands.wordpress.com/2013/03/01/the-going-black-demiurgic-darkness-fire-alchemical-ritual-of-dissolution-rebirth-part-1/
Chris Hohn's article really highlights the whole psycho sexual ritual that is being preformed on a massive scale. New Orleans seems to be a major spot energetically speaking. If I knew more.
Sekhmet is the main character in Author S.K. Whiteside's World of the Guardians book series. Set in modern day New Orleans Sekhmet goes by the name of Syn.
There is even a connection to me, what with me having a crimson bedsheet I wrap myself as well as weiding a knife. Who knew.
Sekhmet later was considered to be the mother of Maahes, a deity who appeared during the New Kingdom period. He was seen as a lion prince, the son of the goddess. The late origin of Maahes in the Egyptian pantheon may be the incorporation of a Nubian deity of ancient origin in that culture, arriving during trade and warfare or even, during a period of domination by Nubia.
http://en.wikipedia.org/wiki/Maahes
JAMES ~ MAAHES
From Illusion of Gaia;
KARA: There was talk that the vampire woman had come… They say that
her body is eternal… They say once the comet is gone, she’ll be able
to rest in peace.
It does come back to these creatures that were created, either in this time period or rather, sent through a time portal to a previous era, in wichh the history has become meshed with past, present and future. What happened in the past is being started in the present. The gematira pinpoints this as a theme.
COMET ISON = 377 = TIME DILATION
 |
| Zero being Medusa-Lilith |
""XXX" The number of moon god in ancient Mesopotamia!
Now is the symbol of the devil 666 which reveals also who devil really is and also XXX in ancient Mesopotamia represented the number 30=3+0=3 which is the number of Jesus and symbolizes his/her Hecate trinity"
 |
| Ridiculous |
Dunno how I came across this, but decoding it revealed more of the same themes. It is Egyptian-Atlantean with a Greek-Sanskrit history. What is Egyptian also goes into Hinduism and the past ages when Shiva worship spread across the planet.
http://en.wikipedia.org/wiki/Emerald_City_Confidential
Emerald City Confidential is a 2009 computer adventure game conceived by Dave Gilbert, developed by Wadjet Eye Games and published through PlayFirst. It follows the protagonist Petra, Emerald City's only private eye, as she is approached by a strange woman named Dee Gale. Dee's fiancé is missing, and she is willing to pay Petra above the going rate in order to find him. Lacking any other prospects, Petra agrees. What starts off as a simple missing person case soon takes Petra deep into the seedy underbelly of the Emerald City's criminal underground and beyond. She encounters many characters from the Oz canon and some new characters, learns several magic spells, and uncovers the answer to a dark secret that has haunted Petra all her life.
PETRA = MEDUSA TURNING YOU TO STONE
Petra – the protagonist of the story. She quit her job as a Palace Guard during a time of war, to look for her missing little brother, William, when no one else would help, and becomes a detective in the hope of finding a lead to discover the child's fate.
Interesting.
Besides being completely about these emerald tablets and the emerald will power energy, There is a huge Egyptian connection to all of these rituals and movies. Identifying it will to an extent mess up their rituals being used against us.
Wadjet (/ˈwɑːdˌdʒɛt/ or /ˈwædˌdʒɛt/; Egyptian wꜣḏyt, "green one"),[1] known to the Greek world as Uto /ˈjuːtoʊ/ or Buto /ˈbjuːtoʊ/ among other names, was originally the ancient local goddess of the city of Dep (Buto),[2] which became part of the city that the Egyptians named Per-Wadjet, House of Wadjet, and the Greeks called Buto (Desouk now),[3] a city that was an important site in the Predynastic era of Ancient Egypt and the cultural developments of the Paleolithic. She was said to be the patron and protector of Lower Egypt and upon unification with Upper Egypt, the joint protector and patron of all of Egypt with the "goddess" of Upper Egypt. The image of Wadjet with the sun disk is called the uraeus, and it was the emblem on the crown of the rulers of Lower Egypt. She was also the protector of kings and of women in childbirth.
http://en.wikipedia.org/wiki/Wadjet
THE SIGNIFICANCE OF DEP IS THE FACT JOHNNY DEP PLAYS THE JUDGE MEDUSA IN PIRATES 4, AND THIS IS THE EXACT JUDGEMENT YOU GET FROM THE SNAKES CATS AND DOGS, FALSE JUDGEMENT!!!!!
 |
| Red crescent moon. I get it. And no. Just no. |
As the patron goddess, she was associated with the land and depicted as a snake-headed woman or a snake—usually an Egyptian cobra, a venomous snake common to the region; sometimes she was depicted as a woman with two snake heads and, at other times, a snake with a woman's head. Her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the oracular tradition that spread to Greece from Egypt.
The Going Forth of Wadjet was celebrated on December 25 with chants and songs. An annual festival held in the city celebrated Wadjet on April 21. Other important dates for special worship of her were June 21, the Summer Solstice, and March 14. She also was assigned the fifth hour of the fifth day of the moon.
A DATE TO WATCH OUT FOR!!
Wadjet was closely associated in the Egyptian pantheon with Bast, the fierce goddess depicted as a lioness warrior and protector, as the sun goddess whose eye later became the eye of Horus, the eye of Ra, and as the Lady of Flame. The hieroglyph for her eye is shown below; sometimes two are shown in the sky of religious images. Per-Wadjet also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh. Much later, Wadjet became associated with Isis as well as with many other deities.
 |
| Chrissy Sumer....yikes. Scary man. Very scary. No thanks, I'll pick a regular girl thanks. |
This whole cat feline theme is very deep and extends to another woman as well, who the cults perceive as Sekmet. The name also encodes the software pinpointing this theme as well.
SEKMET ~ COMET
http://en.wikipedia.org/wiki/Sekhmet
 |
| Sekhmet from the temple of Mut at Luxor, granite, 1403–1365 B.C., in the National Museum, Copenhagen |
Sekhmet also is a Solar deity, sometimes called the daughter of the sun god Ra and often associated with the goddesses Hathor and Bast. She bears the Solar disk and the uraeus which associates her with Wadjet and royalty. With these associations she can be construed as being a divine arbiter of the goddess Ma'at (Justice, or Order) in the Judgment Hall of Osiris, associating her with the Wedjat (later the Eye of Ra), and connecting her with Tefnut as well.
Sekhmet's name comes from the Ancient Egyptian word "sekhem" which means "power". Sekhmet's name suits her function and means "the (one who is) powerful". She also was given titles such as the "(One) Before Whom Evil Trembles", "Mistress of Dread", "Lady of Slaughter" and "She Who Mauls".
Jodi Smith spoke to me about the creation of moulds of her sexual areas, confirming that these cults are engaging in abusing her. I only speak of this to help her and to expose those who would engage in harming someone.
From my understanding these rituals are conducted to charge the matrix, against the will of the theomorhpic souls trapped inside the body brain prison. As I showed above,
THE MOON CONTROLS THE EYE OF RA!
In order to placate Sekhmet's wrath, her priestesses performed a ritual before a different statue of the goddess on each day of the year. This practice resulted in many images of the goddess being preserved. Most of her statuettes were rigidly crafted and do not exhibit any expression of movements or dynamism; this design was made to make them last a long time rather than to express any form of functions or actions she is associated with. It is estimated that more than seven hundred statues of Sekhmet once stood in one funerary temple alone, that of Amenhotep III, on the west bank of the Nile.
In 2006, Betsy Bryan, an archaeologist with Johns Hopkins University excavating at the temple of Mut presented her findings about the festival that included illustrations of the priestesses being served to excess and its adverse effects being ministered to by temple attendants.[2] Participation in the festival was great, including the priestesses and the population. Historical records of tens of thousands attending the festival exist.
THIS RITUAL WAS DONE TO JODI IN THE NEW ORLEANS SUPERDOME!!
http://deephighlands.wordpress.com/2013/03/01/the-going-black-demiurgic-darkness-fire-alchemical-ritual-of-dissolution-rebirth-part-1/
Chris Hohn's article really highlights the whole psycho sexual ritual that is being preformed on a massive scale. New Orleans seems to be a major spot energetically speaking. If I knew more.
Sekhmet is the main character in Author S.K. Whiteside's World of the Guardians book series. Set in modern day New Orleans Sekhmet goes by the name of Syn.
There is even a connection to me, what with me having a crimson bedsheet I wrap myself as well as weiding a knife. Who knew.
Sekhmet later was considered to be the mother of Maahes, a deity who appeared during the New Kingdom period. He was seen as a lion prince, the son of the goddess. The late origin of Maahes in the Egyptian pantheon may be the incorporation of a Nubian deity of ancient origin in that culture, arriving during trade and warfare or even, during a period of domination by Nubia.
http://en.wikipedia.org/wiki/Maahes
JAMES ~ MAAHES
http://en.wikipedia.org/wiki/Mut
The hieroglyph for Mut's name, and for mother itself, was that of a white vulture, which the Egyptians believed were very maternal creatures. Indeed, since Egyptian white vultures have no significant differing markings between female and male of the species, being without sexual dimorphism, the Egyptians believed they were all females, who conceived their offspring by the wind herself, another parthenogenic concept.
Much later new myths held that since Mut had no parents, but was created from nothing; consequently, she could not have children and so adopted one instead.
Making up a complete triad of deities for the later pantheon of Thebes, it was said that Mut had adopted Menthu, god of war. This choice of completion for the triad should have proved popular, but because the isheru, the sacred lake outside Mut's ancient temple in Karnak at Thebes, was the shape of a crescent moon, Khonsu, the moon god eventually replaced Menthu as Mut's adopted son.
Hatshepsut was a pharaoh who brought Mut to the fore again in the Egyptian pantheon, identifying strongly with the goddess. She stated that she was a descendant of Mut. She also associated herself with the image of Sekhmet, as the more aggressive aspect of the goddess, having served as a very successful warrior during the early portion of her reign as pharaoh.
Later in the same dynasty, Akhenaten suppressed the worship of Mut as well as the other deities when he promoted the monotheistic worship of his sun god, Aten. Tutankhamun later re-established her worship and his successors continued to associate themselves with Mut afterward.
The tut connection cant be overlook seeing as myself and jodi seem to be playing the parts or so the matrix would have us believe.
In the wake of Akhenaten's revolution, and the subsequent restoration of traditional beliefs and practices, the emphasis in personal piety moved towards greater reliance on divine, rather than human, protection for the individual.
http://en.wikipedia.org/wiki/Khonsu
Khonsu can also be understood to mean king's placenta, and consequently in early times, he was considered to slay the king's (i.e. the pharaoh's) enemies, and extract their innards for the king's use, metaphorically creating something resembling a placenta for the king. This bloodthirsty aspect leads him to be referred to, in such as the Pyramid texts, as the (one who) lives on hearts. He also became associated with more literal placentas, becoming seen as a deification of the royal placenta, and so a god involved with childbirth.
Khonsu gradually replaced the war-god Monthu as the son of Mut in Theban thought during the Middle Kingdom, because the pool at the temple of Mut was in the shape of a crescent moon.
I felt it necessary to compile this information together, seeing as I'd like to know how my enemies plan on ritually sacrficing me and my friends.
http://en.wikipedia.org/wiki/Ma%27at
Maat or ma'at (thought to have been pronounced *[muʔ.ʕat]),[1] also spelled māt or mayet, was the ancient Egyptian concept of truth, balance, order, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, and the actions of both mortals and the deities, who set the order of the universe from chaos at the moment of creation. Her (ideological) counterpart was Isfet.
After her role in creation and continuously preventing the universe from returning to chaos, her primary role in Egyptian mythology dealt with the weighing of souls that took place in the underworld, Duat.[3] Her feather was the measure that determined whether the souls (considered to reside in the heart) of the departed would reach the paradise of afterlife successfully.
The sun-god Ra came from the primaeval mound of creation only after he set his daughter Maat in place of Isfet (chaos). Kings inherited the duty to ensure Maat remained in place and they with Ra are said to "live on Maat", with Akhenaten (r. 1372-1355 BCE) in particular emphasising the concept to a degree that, John D. Ray asserts, the kings contemporaries viewed as intolerance and fanaticism.[22] Some kings incorporated Maat into their names, being referred to as Lords of Maat,[23] or Meri-Maat (Beloved of Maat). When beliefs about Thoth arose in the Egyptian pantheon and started to consume the earlier beliefs at Hermopolis about the Ogdoad, it was said that she was the mother of the Ogdoad and Thoth the father.
In the Duat, the Egyptian underworld, the hearts of the dead were said to be weighed against her single "Feather of Ma'at", symbolically representing the concept of Maat, in the Hall of Two Truths. A heart which was unworthy was devoured by the goddess Ammit and its owner condemned to remain in the Duat. The heart was considered the location of the soul by ancient Egyptians. Those people with good and pure hearts were sent on to Aaru. Osiris came to be seen as the guardian of the gates of Aaru after he became part of the Egyptian pantheon and displaced Anubis in the Ogdoad tradition.
The weighing of the heart, pictured on papyrus in the Book of the Dead typically, or in tomb scenes, shows Anubis overseeing the weighing and the lioness Ammit seated awaiting the results so she could consume those who failed. The image would be the vertical heart on one flat surface of the balance scale and the vertical Shu-feather standing on the other balance scale surface. Other traditions hold that Anubis brought the soul before the posthumous Osiris who performed the weighing.
http://en.wikipedia.org/wiki/Anubis
Anubis dictated the fate of souls. In this manner, he was a Lord of the Underworld, only usurped by Osiris.
Anubis was associated with the mummification and protection of the dead for their journey into the afterlife. He was usually portrayed as a half human – half jackal, or in full jackal form wearing a ribbon and holding a flail in the crook of its arm.[8] The jackal [Note: recent genetic studies show that the Egyptian jackal is actually a form of the grey wolf and has thus been renamed the "Egyptian Wolf"[9]] was strongly associated with cemeteries in ancient Egypt, since it was a scavenger which threatened to uncover human bodies and eat their flesh.[
Anubis is depicted in funerary contexts where he is shown attending to the mummies of the deceased or sitting atop a tomb protecting it. In fact, during embalming, the "head embalmer" wore an Anubis costume. The critical weighing of the heart scene in the Book of the Dead also shows Anubis performing the measurement that determined the worthiness of the deceased to enter the realm of the dead (the underworld, known as Duat). New Kingdom tomb-seals also depict Anubis sitting atop the nine bows that symbolize his domination over the enemies of Egypt.
In later times, during the Ptolemaic period, Anubis was merged with the Greek god Hermes, becoming Hermanubis.[13] The centre of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name simply means "city of dogs". In Book XI of "The Golden Ass" by Apuleius, we find evidence that the worship of this god was maintained in Rome at least up to the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages and the Renaissance.
Although the Greeks and Romans typically scorned Egypt's animal-headed gods as bizarre and primitive (Anubis was known to be mockingly called "Barker" by the Greeks), Anubis was sometimes associated with Sirius in the heavens, and Cerberus in Hades. In his dialogues,[14] Plato has Socrates utter, "by the dog" (kai me ton kuna), "by the dog of Egypt", "by the dog, the god of the Egyptians",[15] for emphasis.
The weighing of the heart ceremony was an important factor of the Egyptian mythology. In this ceremony, the heart was weighed by Anubis, against an ostrich feather representing Maat or truth. If the heart was heavier than the feather the soul would be devoured by Ammit.
http://en.wikipedia.org/wiki/Ammit
This would be our soul ovens again.
Ammit (/ˈæmɨt/; "devourer" or "soul-eater"; also spelled Ammut or Ahemait) was a female demon in ancient Egyptian religion with a body that was part lion, hippopotamus and crocodile—the three largest "man-eating" animals known to ancient Egyptians. A funerary deity, her titles included "Devourer of the Dead", "Eater of Hearts", and "Great of Death".
Ammit lived near the scales of justice in Duat, the Egyptian underworld. In the Hall of Two Truths, Anubis weighed the heart of a person against the feather of Ma'at, the goddess of truth, which was depicted as an ostrich feather (the feather was often pictured in Ma'at's headdress). If the heart was judged to be not pure, Ammit would devour it, and the person undergoing judgement was not allowed to continue their voyage towards Osiris and immortality. Once Ammit swallowed the heart, the soul was believed to become restless forever; this was called "to die a second time". Ammit was also sometimes said to stand by a lake of fire. In some traditions, the unworthy hearts were cast into the fiery lake to be destroyed. Some scholars believe Ammit and the lake represent the same concept of destruction.
Ammit was not worshipped; instead she embodied all that the Egyptians feared, threatening to bind them to eternal restlessness if they did not follow the principle of Ma'at.
Ammit has been linked[who?] with the goddess Tawaret, who has a similar physical appearance and, as a companion of Bes, also protected others from evil. Other authors[who?] have noted that Ammit's lion characteristics, and the lake of fire, may be pointers to a connection with the goddess Sekhmet. The relation to afterlife punishment and lake of fire location are also shared with the baboon deity Babi.
http://en.wikipedia.org/wiki/God_Eater
Sekhmet is also the name of an alien Aragami in the PlayStation Portable game, God Eater.
The hieroglyph for Mut's name, and for mother itself, was that of a white vulture, which the Egyptians believed were very maternal creatures. Indeed, since Egyptian white vultures have no significant differing markings between female and male of the species, being without sexual dimorphism, the Egyptians believed they were all females, who conceived their offspring by the wind herself, another parthenogenic concept.
Making up a complete triad of deities for the later pantheon of Thebes, it was said that Mut had adopted Menthu, god of war. This choice of completion for the triad should have proved popular, but because the isheru, the sacred lake outside Mut's ancient temple in Karnak at Thebes, was the shape of a crescent moon, Khonsu, the moon god eventually replaced Menthu as Mut's adopted son.
Hatshepsut was a pharaoh who brought Mut to the fore again in the Egyptian pantheon, identifying strongly with the goddess. She stated that she was a descendant of Mut. She also associated herself with the image of Sekhmet, as the more aggressive aspect of the goddess, having served as a very successful warrior during the early portion of her reign as pharaoh.
Later in the same dynasty, Akhenaten suppressed the worship of Mut as well as the other deities when he promoted the monotheistic worship of his sun god, Aten. Tutankhamun later re-established her worship and his successors continued to associate themselves with Mut afterward.
 |
| Richard Pryor, the possible father of Obama. |
The tut connection cant be overlook seeing as myself and jodi seem to be playing the parts or so the matrix would have us believe.
In the wake of Akhenaten's revolution, and the subsequent restoration of traditional beliefs and practices, the emphasis in personal piety moved towards greater reliance on divine, rather than human, protection for the individual.
http://en.wikipedia.org/wiki/Khonsu
Khonsu can also be understood to mean king's placenta, and consequently in early times, he was considered to slay the king's (i.e. the pharaoh's) enemies, and extract their innards for the king's use, metaphorically creating something resembling a placenta for the king. This bloodthirsty aspect leads him to be referred to, in such as the Pyramid texts, as the (one who) lives on hearts. He also became associated with more literal placentas, becoming seen as a deification of the royal placenta, and so a god involved with childbirth.
Khonsu gradually replaced the war-god Monthu as the son of Mut in Theban thought during the Middle Kingdom, because the pool at the temple of Mut was in the shape of a crescent moon.
I felt it necessary to compile this information together, seeing as I'd like to know how my enemies plan on ritually sacrficing me and my friends.
http://en.wikipedia.org/wiki/Ma%27at
Maat or ma'at (thought to have been pronounced *[muʔ.ʕat]),[1] also spelled māt or mayet, was the ancient Egyptian concept of truth, balance, order, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, and the actions of both mortals and the deities, who set the order of the universe from chaos at the moment of creation. Her (ideological) counterpart was Isfet.
After her role in creation and continuously preventing the universe from returning to chaos, her primary role in Egyptian mythology dealt with the weighing of souls that took place in the underworld, Duat.[3] Her feather was the measure that determined whether the souls (considered to reside in the heart) of the departed would reach the paradise of afterlife successfully.
The sun-god Ra came from the primaeval mound of creation only after he set his daughter Maat in place of Isfet (chaos). Kings inherited the duty to ensure Maat remained in place and they with Ra are said to "live on Maat", with Akhenaten (r. 1372-1355 BCE) in particular emphasising the concept to a degree that, John D. Ray asserts, the kings contemporaries viewed as intolerance and fanaticism.[22] Some kings incorporated Maat into their names, being referred to as Lords of Maat,[23] or Meri-Maat (Beloved of Maat). When beliefs about Thoth arose in the Egyptian pantheon and started to consume the earlier beliefs at Hermopolis about the Ogdoad, it was said that she was the mother of the Ogdoad and Thoth the father.
In the Duat, the Egyptian underworld, the hearts of the dead were said to be weighed against her single "Feather of Ma'at", symbolically representing the concept of Maat, in the Hall of Two Truths. A heart which was unworthy was devoured by the goddess Ammit and its owner condemned to remain in the Duat. The heart was considered the location of the soul by ancient Egyptians. Those people with good and pure hearts were sent on to Aaru. Osiris came to be seen as the guardian of the gates of Aaru after he became part of the Egyptian pantheon and displaced Anubis in the Ogdoad tradition.
The weighing of the heart, pictured on papyrus in the Book of the Dead typically, or in tomb scenes, shows Anubis overseeing the weighing and the lioness Ammit seated awaiting the results so she could consume those who failed. The image would be the vertical heart on one flat surface of the balance scale and the vertical Shu-feather standing on the other balance scale surface. Other traditions hold that Anubis brought the soul before the posthumous Osiris who performed the weighing.
http://en.wikipedia.org/wiki/Anubis
Anubis dictated the fate of souls. In this manner, he was a Lord of the Underworld, only usurped by Osiris.
Anubis was associated with the mummification and protection of the dead for their journey into the afterlife. He was usually portrayed as a half human – half jackal, or in full jackal form wearing a ribbon and holding a flail in the crook of its arm.[8] The jackal [Note: recent genetic studies show that the Egyptian jackal is actually a form of the grey wolf and has thus been renamed the "Egyptian Wolf"[9]] was strongly associated with cemeteries in ancient Egypt, since it was a scavenger which threatened to uncover human bodies and eat their flesh.[
Anubis is depicted in funerary contexts where he is shown attending to the mummies of the deceased or sitting atop a tomb protecting it. In fact, during embalming, the "head embalmer" wore an Anubis costume. The critical weighing of the heart scene in the Book of the Dead also shows Anubis performing the measurement that determined the worthiness of the deceased to enter the realm of the dead (the underworld, known as Duat). New Kingdom tomb-seals also depict Anubis sitting atop the nine bows that symbolize his domination over the enemies of Egypt.
In later times, during the Ptolemaic period, Anubis was merged with the Greek god Hermes, becoming Hermanubis.[13] The centre of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name simply means "city of dogs". In Book XI of "The Golden Ass" by Apuleius, we find evidence that the worship of this god was maintained in Rome at least up to the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages and the Renaissance.
Although the Greeks and Romans typically scorned Egypt's animal-headed gods as bizarre and primitive (Anubis was known to be mockingly called "Barker" by the Greeks), Anubis was sometimes associated with Sirius in the heavens, and Cerberus in Hades. In his dialogues,[14] Plato has Socrates utter, "by the dog" (kai me ton kuna), "by the dog of Egypt", "by the dog, the god of the Egyptians",[15] for emphasis.
The weighing of the heart ceremony was an important factor of the Egyptian mythology. In this ceremony, the heart was weighed by Anubis, against an ostrich feather representing Maat or truth. If the heart was heavier than the feather the soul would be devoured by Ammit.
http://en.wikipedia.org/wiki/Ammit
This would be our soul ovens again.
Ammit (/ˈæmɨt/; "devourer" or "soul-eater"; also spelled Ammut or Ahemait) was a female demon in ancient Egyptian religion with a body that was part lion, hippopotamus and crocodile—the three largest "man-eating" animals known to ancient Egyptians. A funerary deity, her titles included "Devourer of the Dead", "Eater of Hearts", and "Great of Death".
Ammit lived near the scales of justice in Duat, the Egyptian underworld. In the Hall of Two Truths, Anubis weighed the heart of a person against the feather of Ma'at, the goddess of truth, which was depicted as an ostrich feather (the feather was often pictured in Ma'at's headdress). If the heart was judged to be not pure, Ammit would devour it, and the person undergoing judgement was not allowed to continue their voyage towards Osiris and immortality. Once Ammit swallowed the heart, the soul was believed to become restless forever; this was called "to die a second time". Ammit was also sometimes said to stand by a lake of fire. In some traditions, the unworthy hearts were cast into the fiery lake to be destroyed. Some scholars believe Ammit and the lake represent the same concept of destruction.
Ammit was not worshipped; instead she embodied all that the Egyptians feared, threatening to bind them to eternal restlessness if they did not follow the principle of Ma'at.
Ammit has been linked[who?] with the goddess Tawaret, who has a similar physical appearance and, as a companion of Bes, also protected others from evil. Other authors[who?] have noted that Ammit's lion characteristics, and the lake of fire, may be pointers to a connection with the goddess Sekhmet. The relation to afterlife punishment and lake of fire location are also shared with the baboon deity Babi.
http://en.wikipedia.org/wiki/God_Eater
Sekhmet is also the name of an alien Aragami in the PlayStation Portable game, God Eater.
The space vessel "Sekhmet" is a level in the video game Jet Force Gemini, a third person shooter developed by Rare in 1999.
http://en.wikipedia.org/wiki/Jet_Force_Gemini
Once again the this game we deal with the same comet approaching. Or so it would appear seeing as I have a friend with the last name of Gemini who has been considerable help in breaking this illusionary matrix.
 |
| Jet Force Gemini revolves around the Jet Force Gemini team attempting to defeat the evil leader Mizar and his horde of Drones. |
As the game progresses, the heroes eventually find themselves reunited at Mizar's Palace—and face to face with Mizar himself. However, Mizar, enraged and vowing revenge on the human race, escapes to a nearby asteroid where he sets course to impact with Earth. King Jeff, the beloved leader of the Tribals, quickly arranges a plan to help the heroes: by providing an ancient starship that can quickly catch up to Mizar's asteroid. Nevertheless, the team needs to locate several vital parts scattered throughout the galaxy, as well as rescue all the Tribals enslaved by Mizar.
Same story all the time.
Personally, I don't know what next.
Personally, I don't know what next.
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